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The way you look at me tonight

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Dancing, singing, telling stories and asking questions, leading UK disabled artist Claire Cunningham and international choreographer and performer Jess Curtis, combine performance, original music, and video to wrestle sometimes literally with important questions about our habits and practices of perceiving each other and the world. In collaboration with noted author and philosopher of perception Dr. In Curtis was the choreographer who first introduced Cunningham to movement, leading to her career as a choreographer in her own right. How do we look at each other?

SEE VIDEO BY TOPIC: Billie Holiday - The Way You Look Tonight (1936)

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The Way You Look Tonight

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Dancing, singing, telling stories and asking questions, leading UK disabled artist Claire Cunningham and international choreographer and performer Jess Curtis, combine performance, original music, and video to wrestle sometimes literally with important questions about our habits and practices of perceiving each other and the world. In collaboration with noted author and philosopher of perception Dr.

In Curtis was the choreographer who first introduced Cunningham to movement, leading to her career as a choreographer in her own right. How do we look at each other? How do we allow ourselves to be seen? How much can we affect the way we see others? Can we learn to see across lines of difference in new ways? Heilbronn Festival, Heilbronn, Germany More.

Curtis co-founded the radical performance collective CORE, and created and performed multi-disciplinary dance theater throughout the U. Curtis is active as an advocate and community organizer in the field of dance and disability, and teaches Dance, Contact Improvisation, and Interdisciplinary Performance for individuals of all abilities throughout the US and Europe. He works on the nature of mind and human experience.

The central idea of these books is that consciousness is not something that happens inside us, or to us. It is something we do. Alva's new book on art and human nature, Strange Tools, was released by Farrar, Straus and Giroux on September 22, Alva received his Ph. Alva is a recipient of a Guggenheim fellowship and a former fellow of the Wissenschaftskolleg zu Berlin. He is a weekly contributor to National Public Radio's science blog A maker and curator, he collaborates with other artists and organizations imagining alternative contexts for performance, participation and discourse that might reveal wisdoms for living.

Noticing threads that weave between people and place his work takes form as intimate encounters, poetic objects, installations and designed environments for physical and virtual spaces. Approaching these large and small-scale works as responsive dances and choreographies that attend to notions of loss and landscape, memory and materiality through the poetry of the body. Arriving at new perspectives, articulations and understandings of what it is to be in the world, through interdisciplinary collaboration.

He creates video content and develop custom video applications for performance and theater. He has created numerous award-winning scores for the productions of international dance theatre companies including Do Theater St.

He co-founded the internationally touring band PostHolocaustPop. He has worked extensively in theatre and dance since Chris also regularly lectures in acting and devising for the theatre. In the past years he extended his practice to fine arts, performance and art direction, involving painting, set and costume design for contemporary dance as well as singing.

Artistry Fund, made possible by the Ford Foundation. Additional support provided by the Mertz Gilmore Foundation. How do our bodies shape the ways we perceive the world around us? Can we change how we see each other? A scholar of ancient Jewish culture and contemporary feminist ethics, she has particular expertise in disability studies, queer theory, and environmental justice. She also co-authored A Health Handbook for Women with Disabilities Hesperian Foundation, , a grassroots public health book used around the world and translated into more than ten languages.

The New York Times has called him, " Linton was on faculty at CUNY from Krista K. Miranda is an interdisciplinary scholar of performance, gender, sexuality, and disability. After earning her Ph. Luke Pell is an artist based in Scotland fascinated by detail, nuances of time, texture, memory and landscape. Maker, curator and dramaturg he collaborates with other artists and organisations imagining alternative contexts for performance, participation and discourse that might reveal wisdoms for living.

Noticing threads that weave between people and place his artistic projects take form as intimate encounters, poetic objects, installations and designed environments - choreographies - for physical and digital spaces. Marissa Perel is an interdisciplinary artist based in New York.

Working among the forms of dance, installation, and writing, their research is focused on choreography and disability, crip time and queerness, power and access, and pain and desire.

Bill Shannon is an interdisciplinary artist and maker who explores body-centric work through video installation, sculpture, linguistics, sociology, choreography, performance art, dance and politics. Alice Sheppard is the founder and artistic lead of Kinetic Light, a collective of artists and collaborators working at the intersections of art, design, disability, race, technology, and dance.

Her artistic practice emerges from her academic career and her training in physically integrated and modern dance. Engaging with disability arts, culture and history, Alice attends to the complex intersections of disability, gender, and race with movement that challenges conventional understandings of disabled and dancing bodies.

Sunaura Taylor is an artist, writer and activist. Her writing has been printed in various edited collections and publications. The Way You Look at me Tonight. It is certainly beautiful movement. Is it poetry? There are words to love, to enlighten, to educate and to challenge.

This was a mind blowing experience for me. Highly recommended. The Americano wrapping may mislead some to think of it as intellectualised trivia but there is genuine substance here. I enjoyed it thoroughly. Click image for detail. Participant Bios.

Description

The release absolutely killed me. I couldn't stop, it was so beautiful. To take advantage of the success of the song, pianist Teddy Wilson brought Billie Holiday into a studio ten weeks after the movie was released. Six years passed before the song appeared on the charts again, this time in a version by Benny Goodman with Peggy Lee on vocals and Mel Powell on celeste. The most popular and imitated version was recorded by Frank Sinatra with the Nelson Riddle orchestra in

How do we allow ourselves to be seen? How do our bodies shape the ways we perceive the world around us? Can we change how we see others?

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The Way You Look (at me) Tonight

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The Way You Look (At Me) Tonight

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The Way You Look (At Me) Tonight is a social sculpture—a sensory journey, for two performers and audience. Dancing, singing, telling stories and asking.

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